With its sleek new look, upgraded preamps and EQ circuitry, the new Mackie 1642-VLZ3 redefines perfection. With the same features and functionality of its predecessor, the re-engineered Mackie 1642-VLZ3 has even greater headroom than the original. We could have stopped right then and there, but since were obsessed with perfection, we redesigned the Mix Bus and made significant enhancements to the EQs, giving the 1642-VLZ3 a more intuitive and musical feel.

The 1642-VLZ3s three unique channel strip formats allow you to input and shape any kind of signal, including mic, line, and stereo instruments. Whether you need a live mixing board for club work, or a full-featured workhorse for home and studio recording, you owe it to yourself to check out the new Mackie 1642-VLZ3. Youll think its perfect, too.

Our new XDR2 (Extended Dynamic Range) second-generation mic preamps are better than ever. They offer incredibly low noise, with individual mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1642-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-level signals up to +22db, without any added coloration. You simply wont find preamps this good on any other mixer in this price range.

Three Kinds of Channel Strips
1. Channels 18 are essentially the same as those on our 1604-VLZ3, with mono line-level input and our ultra-high-quality XDR2 mic preamps. These VLZ (Very Low Impedance) mic pres offer superior sound quality and the best RFI rejection of any compact mixer on the market.
2. Channels 9/10 and 11/12 (two physical channel strips) each provide a stereo pair of line-level inputs and a mono XDR2 mic preamp.
3. Channels 13/14 and 15/16 (also in two physical channel strips) each provide a stereo pair of line-level inputs only, with fixed 4-band equalization at points that are specifically designed for line-level inputs, such as keyboards, sound modules, etc.

High-quality equalization is a must for any good mixer, that's why we didn't cut any corners on the 1642-VLZ3. Channels 1-8 feature the same world-renowned 3-band Active equalization that you'll find on the 1604-VLZ3. Tremendous resources went into optimizing the center points of these mic channel equalizers, with the Lows at 80Hz and the Highs at 12kHz. Midrange compensation is handled by a peaking control with a two-octave variable frequency center. This means the Mids can be swept from 100Hz all the way up to 8kHzwith a boost or cut of 15dB. We designed a fixed 4-band, musically-correct EQ for the remaining channels, which are primarily intended for line-level signals, such as keyboards, sound modules, and drum machines. This all adds up to practical, useful equalization, with the tone-shaping facility to actually improve the musical nature of the original signal.

The Mackie 1642-VLZ3 mixer is packed with premium features on every channel: 75Hz Low-Cut filters, four Aux Sends, inserts, phantom power, constant-loudness Pan controls, OL (overload) and signal present LEDs, sub and main mix assign switches, and assignable AFL/PFL Solo switch. And since you can never have too many output options, we also provided a Control Room/Phones source matrix, Master Aux section with EFX to Monitor, tape outputs, a high-volume headphone amplifier, channels 1-8 direct outs, and balanced XLR and balanced/unbalanced TRS outputs.

Features:

• New ultra-low noise VLZ3 design with highest possible headroom
• 10 studio-grade XDR2 Extended Dynamic Range mic preamps with:
  - Ultra-wide 60dB gain range - 130dB dynamic range
  - +22dBu line input handling
  - Extended low frequency response
  - Distortion under 0.0007% (20Hz - 20kHz)
  - Phantom power for studio condenser mics
• 16 high-headroom line inputs (4 stereo pairs, 8 mono)
• Advanced DC pulse transformer RF rejection
• 60mm long-wearing logarithmic-taper faders
• 4 Aux sends, level, pan, -20dB/Solo and Overload/Mute_LEDs on each channel
• 4 stereo Aux returns, 8 Direct outs, 4 Group/Bus outputs
• 3-band Active EQ with sweepable midrange on mono channels
• 4-band Active EQ on stereo channels
• 18dB/oct. 75Hz Lo-Cut filter on mic channels
• Control Room/Phones multi-input source matrix with separate level controls
• Balanced 1/4" inputs and outputs (except inserts)
• Rack-mountable design with three physical configurations via rotating I/O pod
• Sealed rotary controls to resist dust and grime
• New Multi-Voltage power supply for worldwide use
• Rugged steel chassis
• Includes Tracktion 3 Music Production Software for Mac or PC